The town San Gemini
The medieval aspect of
San Gemini is well preserved, and the urban fabric faithfully refelcts the nature of an
ancient suburb, sets on a high ground and surrounded by the boundaries, of
which the layout and numerous rests are visible. The main entrance doors of the
city are four, but the one that it directly introduces to the city centre is
Porta
Romana, built in the XVIII century.
One of the buildings of greater merit that can be
visited in San Gemini is certainly the
St.
Francis Church. Built in the XIII century in honour of the cult linked to
the figure of
St. Francis; who
visited the city several times. The style is Gothic, with a richly painted
single aisle. Of particular interest is The
Crucifixion created in the XIV century by an artist belonging to
the pictorial movement known as
Umbrian
School. It's important also to visit the cloister, a refined and elegant
place, which prepares shows and various displays every year.
It's very suggestive also the small
Santo
Stefano Church, or at least what remains of it: the apse, the nucleus
around which the city of San Gemini is developed. Near the church have come to
the light precious finds of the Roman world. These are a building, of which
remains the
impluvium and the environments that surround it, but also
two marvellous floors covered by mosaics of the I century. One is covered by
floral drawings and flights of birds, while the other one has geometric forms.
The
Convent of Santa Maria Maddalena is datable around the XI century, even if has suffered various following
interventions, among which particularly incisive were those of the 1700. The
Church
of San Giovanni Battista instead is dated XII century, perhaps risen on a
precedent building of the IV century.
Palazzo Zanasi, located on the side of the perimeter to the Palazzo
Pretorio; it is an elegant building of the XVIII century.
Palazzo Pretorio goes back to the XII century, a building that was
centre of the government of San Gemini. A splendid medieval construction, known
also with the names of
Palazzo del
Popolo or
Palazzo Vecchio, it is
externally decorated with a series of noble coats of arms, while the inside
rooms show the native paintings, among which there's a representation of the
Buon Governo. Beside the building rises
the
Torre Esperia, within the tower
is the
Campana delle Adunanze, cast
by
Matteo di Orvieto in 1318.
In San Gemini there's also the summer residence of the famous sculptor
Antonio Canova an imposing building
risen with its tower above the
piazza St. Francis.
Outside boundaries encircling the inhabited area, there's one of the most ancient monastic Umbrian structures,
already mentioned in some documents of 1036, this is the
Abbazia of San
Nicolò. It reached quite soon a great influence extended at least up to the
XV century. The construction of the façade is dated back to the XII century as
the marvellous portal, today visible only in copy because the original one has
been transferred to the
Metropolitan Museum in New York. Numerous
decorative elements, among which capitals, marbles and sculptures are
archaeological of Roman and Romanesque origin materials, as for instance the
image of a lion, represented in the action to stop a ram.
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