Il Duomo di Narni
The main city entrance is constituted by
the thick
Porta Ternana (or
Porta delle Arvolte), solid
construction of the XV century, characterised by the presence of two low but
imposing cylindrical towers. Continuing along the main street (
Via Roma),
there's the
Arco del Vescovo the ancient
Porta Superiore built in
Roman epoch. The arc is the line of union among the two main squares of
Narni,
Piazza Garibaldi and
Piazza Cavour, from which is
possible to access to the main entrance of the
Duomo.
The Duomo and the Sacello di San Giovenale
The
Duomo di San Giovenale is the heart of
Narni, built in
honour of its first bishop and patron of the city. The church was built during
the XII century and consecrated in 1145, on the rests of a building of
preceding cult, built around the sepulchre of the saint. The main entrance is
situated in
Piazza Cavour,
even if the more imposing and stately turns toward
Piazza Garibaldi. The façade is typically Romanesque,
anticipated by a beautiful portico decorated by friezes in bas-relief, while
from the opposite part it opens an elegant open gallery culminating in the
Cappella
dei Muratori, inside which is found the baptismal source of the XVI
century.
The inside is composed by three main
aisles, to which a fourth grade realised in Renaissance epoch is added. The
progression of the aisles is articulated by a succession of reduced arcs, in a
style that boasts many examples in the area of Narni, while leaning to the
principal pillars close to the apse, are risen two valuable pulpits of marble
built by the comacini teachers.
But the most suggestive part in the Duomo
is certainly that knew as
Oratorical of San Cassio or t
he Sacello of
San Giovenale and San Cassio. It's an archaic, symbolic and very revered
place, a Palaeo-Christian document from the unique beauty. The entrance is
composed by a marmoreal front realised with material coming from a Roman
sarcophagus of the VI century, with cosmateschi panels and mosaics datable
always around the VI century.
The sarcophagus in which was the body of
San
Giovenale is situated behind a low entrance, inside a small cavern dug in
the rock. The floor is indeed notable: a whole heterogeneous and different
materials absolutely approached messy and casually, but in a such way to return
an image of great expressive strength. Fragments and rests of other floorings,
materials coming from destroyed buildings, stones and remote finds give life to
what today appears as an archaeological mosaic without time.
The front of the Sacello is adorned by
precious statues and frescos, and from a marvellous mosaic portraying the
"
Cristo Benedicente" of the IX century.
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