Better in Tuscany than in Umbria, more like Siena than
Perugia, in Città della Pieve Middle Ages and Renaissance melt in an urban
structure of particular beauty
The city develops beginning from a
Parish,
the one of the
San Gervasio and San Protasio, built in the VII century
above of a hill at 508 meters high, from which the
Valdichiana and the
lake
Trasimeno dominate. A magic landscape that remained engraved in the mind of
the
Perugino and that he wanted to reproduce on many his frescos. Since
then few or nothing has changed. A little bit thanks to its geographical
position and a little bit to its political liking,
Città della
Pieve modelled its own urban buildings on the
example in the imperial Siena, as testifies the frequent use of the tiles, also
because of perpetual quarrels with
Perugia. There was then the glorious epoch
of buildings that methodically rose inside the city boundaries, like the new
Parish, with Gothic relieves, the
Tower of Bishop, the
Civic Tower,
inspired to the Romanesque Lombard motives, the
Palazzo dei Priori and
the mighty
Rocca Perugina. All of this happened in the centuries XIII
and XIV. It followed a political period marked by turbulence and inner
struggles, at least up to 1550, when pope
Giulio III del Monte raises to
governor of Città della Pieve his nephew
Ascanio della Corgna.
Consequently in the city arrive
personality of the calibre of
Galeazzo Alessi, Perugian architect, and
two Tuscan painters,
Salvio Salvini and
Niccolò Circignani, the
Pomarancio.
In 1600 great transformations happen
changing then the city in
Diocese and accordingly the ancient Parish
becomes
Collegiate. In the following period various other architectural
works of Renaissance, Baroque and neo-classic taste were fused and harmonised
in the characteristic medieval plant of the city, increasing notably the
vitality and the charm of the city centre.
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